In 1982, Walter Hill directed '48 Hrs.,' with Nick Nolte as a loose cannon cop and Eddie Murphy as a fast-talking criminal. The oil-and-water chemistry worked, the movie was a hit, and an entire genre -- the buddy cop movie -- was born. Hill has had a long a varied career in Hollywood, directing tough, lean action movies and Westerns and producing the 'Alien' franchise, but '48 Hrs.' and the myriad imitators it birthed will always be his biggest legacy. That fact alone makes his new movie, 'Bullet to the Head,' interesting, since it's Hill imitating himself, with his first return to the genre since 1990's 'Another 48 Hrs.' The mixed results probably won't inspire a resurgence of buddy cop movies, but they're not terrible either, with enough Walter Hill flair to make some moments quite memorable, even if the movie as a whole has its problems.
In his recent autobiography, Arnold Schwarzenegger describes his part in 'The Last Stand' as "a great, great role." He plays Ray Owens, a former LAPD cop who retired to his hometown in Arizona after his partner got crippled in a botched drug raid. Now the local sheriff, he and a few bumbling deputies are all that stands between the Mexican border and a ruthless drug kingpin. "The sheriff knows if he succeeds," Schwarzenegger writes, "it will mean everything to the town. His reputation is on the line. Is he really over the hill or can he do it?"
Dirty Harry would love 'Gangster Squad,' a movie about cops who operate so far outside the law they make Clint Eastwood's signature detective look like a pencil-pushing dweeb. Assembled by LAPD police chief Bill Parker (Nick Nolte), and supposedly inspired by a true story, the members of the so-called Gangster Squad operate as judge, jury, and executioners. They don't arrest their targets; they "wage war" against their enemy, mob boss Mickey Cohen (Sean Penn). In their quest to bust up Cohen's rackets, the Gangster Squad brandishes about a billion guns and not a single badge. Hell, even Dirty Harry waited until the end of his movie to toss his away.
If he hadn't already used that title for another movie, Tom Cruise could have easily called 'Jack Reacher' 'The Last Samurai.' There's a bit of Toshiro Mifune's Sanjuro in this Reacher guy: the masterless warrior who strides into a corrupt town, answers to no one, rights a few wrongs, busts a few heads, and wanders away to find his next challenge. He has no possessions; he owns exactly two shirts and one jacket. All he carries with him is a roll of $100 bills, a passport, a toothbrush, and his inflexible moral code. He would have fit right in back in feudal Japan. Or the Old West, for that matter. He'd make a hell of a Man With No Name.
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