Ian McKellen is one of the most esteemed board-treaders alive, a thespian who has consistently and successfully balanced work on the stage with appearances before the camera. At 77, he’s had the chance to assay some of history’s great Shakespearean roles, portraying everyone from Macbeth to Coriolanus to Richard III. And today brings the news that a new project will allow him to blend his passions for the proscenium and the closed set in a revisiting of a signature role that McKellen last tackled way back in 1971.
Stop me if you’ve heard this one before: there’s gonna be a Dark Tower movie. Stephen King’s sprawling Western/mystical sci-fi epic has been Hollywood’s great white whale for some time now, stymieing adaptation efforts from such luminaries as J...
By the year 1999, a time when ‘Star Wars’ devotees waited with bated breath for the triumphant return of their most cherished franchise with not one but three new installments, Leonardo DiCaprio had already done some solid work. He had broken out big as a youngster in role alongside Robert De Niro and Johnny Depp in ‘This Boy’s Life’ and ‘What’s Eating Gilbert Grape,’ respectively. He had proven his chops as an actor with a meaty role in ‘The Basketball Diaries’ and attained full sex-icon status through dreamboat appearances in ‘Romeo + Juliet’ as well as ‘Titanic,’ which also made DiCaprio one of the most highly bankable stars on the planet.
At age 59, Carrie Fisher has been around the block a few times. She’s appeared in her fourth ‘Star Wars’ film with ‘The Force Awakens’ earlier this month, and frankly, she’s got no patience for haters. The woman has still got it and then some; she was riotous in her guest appearance on 30 Rock a few years back and she exuded pure screen presence in every frame of The Force Awakens. So when triflin’ suckas come at the queen, she delivers justice in a swift and merciless manner, and in 140 characters or less. Clearly fed up with insults being lobbed her way concerning her appearance in the latest Star Wars picture, Fisher took to Twitter to put it down.
The director, a regularly active user of social media platforms Twitter and Facebook, took to the web last night to show off one his one-of-a-kind interior decor. Specifically, he posted a couple photos of his coffee table, a custom-made piece designed to look just like the Awesome Mix cassette tape so cherished by Chris Pratt’s Peter Quill, a.k.a. Star-Lord, in Guardians of the Galaxy.
Q: What is the best part about getting a thing of fast-food french fries? A: Believing you have finished your cheat-day treat, only to discover that there are still a few stragglers with a pulse left in the bottom of the bag...
Damn near everything popular between 1985 and 1999 has been rebooted, reimagined, reworked, or remade in the studios’ relentless efforts to wring every last drop of earning potential from existing creative properties. Some efforts have been more successful than others, but either way, Nickelodeon has moved to throw their own hat into the ring.
Walker’s daughter Meadow filed a lawsuit against Porsche under the banner of “wrongful death,” attributing her father’s untimely death to numerous defects in the car’s design. Industry trade papers are now reporting that officials from Porsche have handed down a response to the lawsuit, claiming that the accident and any injuries sustained therein were ultimately Walker and Rodas’ “own comparative fault.”
Yesterday, we learned that 20th Century Fox had worked out a new accord with Marvel permitting the studio to ferry one of its hottest properties into the lucrative land of milk and honey that is television. Fox has announced plans to develop two shows spun off from their X-Men franchise, one about an elite organization of mega-rich mutants called Hellfire and another about David Haller, a.k.a. the son of Charles Xavier, a.k.a. Legion. A new report from Den of Geek (still awaiting confirmation from Marvel) suggests that there may be an unknown flip side to this deal that would place The Fantastic Four, one of Marvel’s most iconic properties, back in their portfolio with another big-screen project to follow.
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